That said, with all six bands going things can look a little hectic. In typical iZotope fashion, the polished GUI is a god-send here, giving you a second node to select the frequency, gain and Q, with a small dot that shows your current position. On top of this you now have the ability to modulate the position of each node, either via a sidechain input, envelope modulation or syncable LFO, opening up the possibility for incredibly complex, multi-layered EQ sweeps to add detail to your sound. Although the filters are placed before and after the distortion by default, you can freely change the order of all the modules, even choosing to run the filters in parallel if you so desire. First up are the two filter modules, which give you six bands and a choice of over 20 different filters from clean and warm to saturated, screaming and vowel types. Don’t worry about pressing or holding keys just concentrate on designing and customizing your Gesture.With the exception of a new delay section, the fundamental modules are the same but with a number of tweaks to improve both flexibility and workflow.
![izotope trash 2 expanded review izotope trash 2 expanded review](https://www.inta-audio.com/images/izotope-mix-master-bundle-2-serial-download-p8312-21604_medium.jpg)
Auto mode is great for quickly auditioning gestures to find the ones you like. Just load Stutter Edit, engage Auto Mode, choose any gesture, and press Play in your session to start hearing effects immediately. With the new Auto mode, you don’t need to spend time setting up your DAW to make this happen. Control the timing of your pans, stutters, gates, distortions, and more to create truly mind-bending effects. The new Curve editor lets you click on any slider to edit its unique curve. Combine your stutter edits with aggressive distortion, auto-pan effects, pitch-bent reverb, and much more. A new Reverb, Comb, and Chorus module joins 11 other effects that can move in time with your mix. With Stutter Edit 2, adding movement to your mix has never been easier. Combining iZotope’s user-friendly setup and workflow with BT’s patented brand of audio and rhythmic experimentation, Stutter Edit 2 brings you this new science lab of sound design toys. Easily transform sounds into rhythmic gestures, add subtle ear candy to a mix, and create synth-like pads and soundscapes. IZotope has redesigned and reimagined Stutter Edit 2 for the demands of modern workflow.
#IZOTOPE TRASH 2 EXPANDED REVIEW PROFESSIONAL#
This lets you add truly wild, unique, and professional sound-design touches to your music. Not only does Stutter Edit let you easily make complex edits, but it also offers a variety of effects with parameters that can change in time with the edit’s rhythm. The original Stutter Edit was the first audio plug-in that automated “micro-editing.” That’s the process of slicing and dicing audio into small chunks and arranging them in a different rhythm to unleash new sonic possibilities. With ear-popping new effects, an innovative new workflow, and hundreds of presets designed by BT and other music professionals, Stutter Edit 2 offers expanded creative possibilities for your music. Fire off rhythmic gestures, sweeping filters, glitchy effects, or everything all at once. Slice and dice your samples, tracks, and mixes with a single keystroke. Like the original Stutter Edit, version 2 makes it a breeze to create stutter-editing effects.
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IZotope announces the immediate availability of Stutter Edit 2, created in collaboration with electronic musician, producer, music technologist, and Grammy Award winner BT.
![izotope trash 2 expanded review izotope trash 2 expanded review](https://www.audiokinetic.com/images/plugins/preview/izotope_trash.png)
Want to make your music stand out? This overhaul makes stutter-edit effects easier and more versatile than ever.