Like those beautifully “unchoreographed” seconds in ‘Idhazhin Oram’ where Janani and her sister go crazy dancing in the rain on their terrace can you think of a better example to visually express “Joy”? Or that moving shot of Janani sneakily hiding a laddoo under her kurta to bring it back for Ram from Tirupati. The first half of this film is filled with dozens of moments like these. Can a million ‘Why This Kolaveri Dis’ come close to this feeling? And when Anirudh’s ‘Idhazhin Oram’ slowly takes over, she breaks into, what must be, THE most rewarding smile in Tamil cinema. There’s a pause as the noise of the lecture going on in the background gets muted. She looks back again and just stares for a second. She’s at once embarrassed and also delighted.
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But Ram is right there, sitting a few rows behind. On the second instance, when she looks behind to notice the empty bench, you see her disappointment. The bench he usually sits in remains empty for the days that follow and Janani, who was irritated with his presence, now feels something is missing. But when she decently calls him out and insists he stops following her, he listens. He joins the class and starts following her as she makes her way back home. Ram, being the obsessive Selvaraghavan hero he is, does his own bit of stalking, finds out her school from her uniform and follows her to her tuition class. She senses trouble, quickly says thank you and leaves. He fixes it, looks at her and asks, “which school?”. It’s raining and Janani’s cycle chain is broken and Ram gets off his bike to help her fix it. This leads to a beautifully ordinary love at first sight scene. We cut to Ram and we see him eating fruits out of a bowl using a fork and a moment later, his mother brings him his lunchbox and she says she has packed chicken curry and fish fry. Janani is getting ready for school and you hear her mother shouting from the kitchen asking her if she should pack curd rice for lunch. Like the simple yet effective way we’re introduced to both Ram (Dhanush) and Janani (Shruti Haasan) and their respective backgrounds. Dialogues and scenes in these portions feel so real, so “lived in”.
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But that’s not to takeaway anything from Aishwarya Dhanush’s work in this film because watching 3 that night in GanapathyRam, after all that hype had died down, didn’t feel like just another movie…it felt like a discovery.Ī reason for this is how brilliantly adept Aishwarya Dhanush is at handling teenage romance. I would even go so far as to call it the most Selvaraghavanesque non-Selvaraghavan film. The views and facts appearing in the social media post do not reflect the opinions of LatestLY, also LatestLY does not assume any responsibility or liability for the same.But 3 was ambitious and experimental, a tad too much for the guy who just wanted to go to the theatre to witness this blue whale of a song play out on the big screen. The above post is embeded directly from the user's social media account and LatestLY Staff may not have modified or edited the content body. (SocialLY brings you all the latest breaking news, viral trends and information from social media world, including Twitter, Instagram and Youtube. #Sooryavanshi is trending very well on weekdays… #Maharashtra and #Gujarat continue to be key contributors… Fri 3.26 cr, Sat 3.77 cr, Sun 5.33 cr, Mon 1.88 cr, Tue 1.70 cr. Seems like the entertainer has impressed the audience and how.
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The movie is earning far better than the recently released Bunty Aur Babli 2 and is inching close to Rs 200 core mark at the ticket window. The Rohit Shetty directorial in its third week in India stands at a total of Rs 182.18 crore.
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Akshay Kumar, Katrina Kaif-starrer Sooryavanshi which released at the theatres on November 5 i.e Diwali is still going strong at the box office.